Little Fantasia No. 2 - Piano

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Domenico Scarlatti - Keyboard Sonata in G Major, Kk. Christoph Willibald von Gluck - Orfeo ed Euridice, Wq.

Piano for little Kids

Arranged Sgambati. Act 2. Melodie dell'Orfeo.


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Iberia, B. Book 2. Vladimir Horowitz - Variations on a theme from G. Franz Schubert - Gretchen am Spinnrade, Op.

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Johann Strauss II - Tritsch-Tratsch-Polka, Op. Waltz No. Tempo giusto. Paul Dukas - L'apprenti sorcier - arranged by Victor Staub. Alexander Scriabin - Danse macabre, Op. Yuja Wang.

Telemann - Fantasia in D major TWV 33:1 - piano - Harry Völker

Total Playing Time English German Wang's playing-style is more focused than flamboyant and she has a distinctive, deft technique that allows for an astonishing lightness of touch. The variety is enough here to make the listener giddy, especially when presented in such vivid, richly textured studio sound.

With such tracks we listen intently, happy to follow Wang's fingers wherever they take us. Beautifully performed, this is the kind of music that leaves an audience wanting more. Animation Adventure Comedy. The Great Mouse Detective Animation Adventure Family. The Black Cauldron Animation Action Adventure.

The Adventures of Ichabod and Mr. Toad Animation Comedy Family. The Sword in the Stone The Many Adventures of Winnie the Pooh A collection of animated shorts based on the stories and characters by A. The Fox and the Hound Animation Adventure Drama.

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Two childhood friends find themselves forced to become enemies. Saludos Amigos Animation Short Family. Alice in Wonderland The Three Caballeros Edit Cast Credited cast: Steve Martin Himself - Introductory Host Itzhak Perlman Herself - Hostess segment "Piano Concerto No. Edit Storyline In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented.

Edit Details Official Sites: Official site. Country: USA. Language: English. Runtime: 75 min. Color: Color. Edit Did You Know? He brought a score to one of the first meetings with the animators, and told them he wanted it in the final film. Goofs Before Symphony 5 at the very beginning the sound of a conductor tapping his baton can be heard.

The conductor has no stand and in fact nothing at all between them and the orchestra. Quotes James Earl Jones : [ introducing the Carnival of the Animals ] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. This article needs additional citations for verification.

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Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Allegro The first movement is in sonata form. The jolly main theme of the first movement is played first by the bassoon, then soon accompanied by the clarinets and oboes. The piano enters unobtrusively with an answering theme, played as single notes in both hands an octave apart. This evolves into a march-like theme.

A new melodic theme in D minor is then introduced, with unisons two octaves apart on the piano, winding down to nothing. Then, an abrupt blast from the orchestra leads into tumultuous and low jumping octaves on the lower piano, while the orchestra plays a variation on the original piano melody fortissimo. The piano builds in a triplet pattern to introduce the D minor theme now in D major in an augmentation in a triumphant tutti.

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At the climax, everything comes to a silent pause, and the piano comes in with a fugue-like counterpoint solo. After a minute of the fugue, the orchestra comes back in, playing the melody in the high winds. The orchestra builds on the main melody while the piano plays scales and tremolos, which lead into a joyous few lines of chords and octaves by the piano, with the main theme finally resurfacing and bringing the movement to a close. Andante The second movement is subdued and romantic. It presents two different themes that are in variation form.

PIANO SOLO | Konstantinos Destounis

The mood can be considered tender with a touch of melancholy. Strings start gently in C minor, with a short introduction before the piano comes in with a gentle triplet theme in C major.

This type of rhythm is also found in his other compositions such as the Prelude in C major Op. Although it remains slow throughout, and works within a comparatively small range, it is marked by the recurrence of two- or four-on-three rhythms.